January 21, 2021

Our poems are the best and travel far

I am told by Muhammad ibn Yahya [Abu Bakr al-Suli] that Muhammad ibn Sallam said: I was told by ‘Umar ibn Shabba that Muhammad, the son of Bashshar ibn Burd said:

Marwan ibn Abi Hafsa was reciting his poems before my father. He said, "If I could add some of your verses to mine I would be rich." At this, my father invited his rhapsode to recite them. So he recited a poem of Bashshar's rhymed in lām, and, when he got to the verses (meter: ṭawīl)—

    A depiction of you has been sent abroad by me.
      Off [my poem] went, and did not fail to arrive at inhabited areas.
    To the East and West I cast it, and the land swarmed
      with its reciters and travelers [who recited it elsewhere]

—Marwan said, "O Abu Mu‘adh! [That is, Bashshar.] Other poets are storks, but you are a falcon."

And Muhammad ibn Yahya said:

Bashshar's verse was imitated by Muhammad ibn Hazim al-Bahili (meter: wāfir):

    The meaning I intend forbids I make my poem long.
        My expert sense of [formal] correctness does the same.
    By making a short selection, and employing brevity,
        I shall curtail the length of my answer,
    and when I perform it for parties of travelers
        rhapsodes and riders will say it back to one another.

From The Ornament of the Learned Gathering
by Abu ʿAli Muhammad al-Hatimi

December 28, 2020

The Poem of the Bow

by Ma‘qil ibn Dirar, called al-Shammakh
(floruit 1st half of the 1st century A.H.),
appears in issue 29 (2020) of A Public Space
وبالعربية ت صلاح الدين الهادي
Thanks to the editors

Three onagers (wild asses) run in a rightward direction across a plain that is dotted with stylized flowers. The onager in the lead looks back over its shoulder at the other two, and the rearward onager opens its mouth as if braying aloud. Below them, a verse of Persian poetry is written in black ink on a golden background.
Detail from a folio of the Shahnameh of Ferdowsi,
illuminated by Mir Sayyid Ali and workshop (ca. 1530-1535).
Previously owned by Shah Tahmasp I, now at the Met