Buddhist Nights

Once there was a young nobleman of uncommon beauty, who fashioned the image of a girl out of gold. He said to his mother and father: "I will marry a girl like this, if she can be found."

At this time, in another kingdom, there was a girl as beautiful as he, who fashioned the image of a man out of gold. She said to her mother and father: "I will marry a man like this, if he can be found." Both sets of parents made inquiries, and across the distance they contracted a marriage between the two, and solemnized their union as husband and wife.

It happened after this that, clutching a mirror, the king of the realm demanded of his ministers: "In all the world, is there a man whose face rivals mine?" They responded: "We who are your subjects have heard it said that there is another man in the kingdom whose beauty surpasses all others." At once the king dispatched a messenger in search of him.

On finding him, the messenger said to the young man: "The king desires the benefit of your wisdom." Straightaway the young man prepared his chariot, and had already set off for the palace when the thought hit him: "It is for my intelligence that the king summons me." To gather the teachings he thought he would need from his books, he therefore returned to his home, - where he found his wife in a state of abandon with a complete stranger. The emotional distress this caused in him had an altering effect on his face, producing an extraordinary physiognomic change for the worse that only worsened as time went on.

[Outside the palace,] the young man's reduced state did not escape the notice of the king's minister, who thought the rigors of the journey were what had thinned his face. And so he had a place set aside for him in a stable, - where, in the middle of the night, the young man spied the king's own consort entering the stable and joining one of the grooms in illicit union. His heart at once was lightened: "If this is how the wife of a king conducts herself?" he thought. "No wonder my wife does the same." At this, his worries evaporated and his face regained its former beauty.

The time came for his interview with the king, who asked: "Why have you lodged outside the palace for the past three days?" The young man responded: "After setting off with your messenger, I thought I had forgotten something, and went back along the road to my house in order to get it. There I found my wife in a state of abandon with a stranger. It pained me sharply, and in my extremes of pathos and rage, my face became altered. For three days I rested in a stable, O King, - where I saw your consort in illicit union with one of the grooms.

"If this is how your wife conducts herself," the young man continued, "then no wonder my own wife does the same. My worries have evaporated, and my face has regained its composure."

"If this is what my own wife is like," said the king, "then how much more so ordinary women!"

Thereupon, both men took off to the mountains together. They cut their beards and shaved their heads and became ascetic devotees. Adopting the view that the company of women makes sacred occupations and devotions impossible, their progress toward excellence was uninterrupted, and both men attained the way of the Pratyekabuddha.

From the Jia za pi yu jing (Ancient Book of Various Metaphors) attributed to Kang Senghui (d. ca. 280 CE), and included in the Taishō ed. of the Chinese Buddhist canon; French tr. by Édouard Chavannes, Cinq cents contes et apologues extraits du Tripiṭaka chinois (Paris: Ernest Leroux, 1910-34), vol. 1, 374-6.

A Bacchic scene

      A flute pours out its woes with a plaintive sob, to the
            tumult of the bows and strings. And the rose is laughing.
      It is a breezy day's debut into the bloom of spring,
            highlit like a bride's outfit in pearls and gold.
      The revels of night become day-drinks. Frivolity keeps
            [the cup] going round in the same order, whether
                willed [by the drinker]
      or pressed upon him. Were we heated! I swear, it was
            the sun's own beams that swirled in our cup and
                heated us.
      The people were a brotherhood of truth. The tie uniting
            them was a love surpassing kinship by descent.
      Nursed together on the squirting stream of a pale pink
            [quantity of wine], each gave his fellow nursling
                his due,
      and the drunken man's offense was not held against him.
            No doubt about their character need trouble you.
      The best teachers are the days themselves, and time's
           long stretches, and those moments when
                defects of fortune are overturned.

By ‘Ali ibn al-Jahm

Shame and fear

In Aristotle's book of Problems, we find it written [fragment 243]:
"Why is it, despite the similarity between shame and fear, that those who feel the former turn red, but those who feel the latter turn pale? It is because the blood of the ashamed is diffused from the heart to the other parts of the body, and so to the body's surface; the blood of the fearful, meanwhile, abandons the other parts of the body and gathers in the heart."

I was in the company of our own Calvisius Taurus at Athens when I read this, and I asked how much sense he thought it made. He said: "As an account of what happens when the blood is diffused or concentrated, it is accurate and true. But he has not said why these things happen. The question of cause is still open: why does fear concentrate the blood, and shame scatter it? After all, shame is a sub-category of fear, as the philosophers define it: 'Shame is the fear of deserved blame.' "

Aulus Gellius, Attic Nights 19.6

Diet of words

Ambrosius (who supplied our Adamantius aux organes splanchniques du bronze with the parchment, copyists, and funds that made it possible for him to produce his innumerable commentaries), remarks in a letter written from Athens that he had eaten no meal in Origen's company without something being read aloud, nor lain in his guest-bed unaccompanied by a reading from Scripture by one of the brethren, whose readings and prayers followed in continuous succession day and night.

We creatures of the belly, did we ever thus? We who yawn, and rub our eyes, and can barely contain our annoyance after one hour of reading? Then, as if after some great task, we go back to involvement with the business of the world. I say nothing of the heavy meals that depress our faculties, and am ashamed to mention the time lost each day to anticipation of visitors, or the visits we pay to others—when straightaway the prattle starts, and our words are wasted on tearing apart third parties. In dissecting the lives of others, we bite and in turn are bitten, and even as we take our leave we are busy chewing.

When friends have all gone home, our minds keep working. Now resentment makes a lion's face to flash across our own; now plans run through our minds in obsessive bursts, heedless of the Gospel's warning: "Tonight your dumb ass will be stripped of your life/soul. Who do your stored-up goods belong to then?"

Jerome, Letter 43 (To Marcella, in praise of country life)

Palmette II

From a terracotta bell-krater (ca. 465-460 BCE) attributed to the Altamura Painter. Museo Archeologico Nazionale, Ferrara
 (currently on loan to the Met).

From A Long Gay Book (1909-1912)

Page 65 of Matisse Picasso and Gertrude Stein (1933).

Deliberative measures

Between judgment by analogy (qiyās) and independent reasoning (ijtihād), the difference is as follows. Analogy is the act of holding one thing against another in view of some likeness adjudged between them. Others say that it is the imposition of one's judgment of the former thing upon the latter by virtue of a perceived likeness. Abū Hāshim al-Jubbā’ī, may God have mercy on him, defined it as "holding one thing against another and imposing one's judgment of the latter upon the former," explaining that a standardized measurement is for this reason called an "analogical implement" (miqyās): whatever one wants measured must be held against it. In this way, the shoemaker's template used for matching soles to one another is called a miqyās.
       Qiyās therefore refers exclusively to the use of one thing in order to make a judgment about another thing, and its root verb qāsa yaqīsu is used in this same sense. Mere likeness between two things is not analogy; qiyās is not said unless the two are correlated such that a judgment incumbent upon one is applied to the other. In this sense, God (be He exalted) might well be called al-Qāyis ("The Analogist"), for the likeness He enforces between the unbelieving and the dead (35:22), the believer and the living (36:70), unbelief and darkness (6:122) and belief and light (61:8).
       Whoever defines analogy as "the abstraction of what is true from what is invalid" is way off. This may define something, but it can't be called analogy. Here is an example of analogy: "If a good person is susceptible to committing an offense that a wise man is not, then the good person is liable to a penalty that the wise man is not." In the parlance of legal scholars, it is to hold a "branch" [i.e. the case under consideration] against a "root" [a precedent case whose judgment is secure] in order that the rationale of the latter ruling be applied to the former.
       The original meaning of ijtihād is "utmost exertion." One can be said to "exert one's utmost" in carrying a stone, but in carrying a date pit there is no exertion. Theologians define it as the process that determines the preponderance of one opinion [above all others] in matters that call for judgment, such that all who practice it will reach the same conclusion. And their reference to statements by "the people of qiyās" and "the people of ijtihād" proves that these methods are not the same. Analogy is more specialized than ijtihād, which includes analogy and other methods besides. [Even so,] al-Shāfi‘ī says that ijtihād and analogy are the same thing; according to his definition, ijtihād means applying the rationale of legal precedent to the exclusion of all else. Legal scholars define it as exerting one's utmost in figuring out how the law applies to a given situation, in a way that is neither obvious nor coeval with the law's original intent.
      This is what Mu‘ādh ibn Jabal meant by saying: "I will exert my utmost to reach an opinion (ajtahidu ra’yī) in those cases wherein I find no answer in the Qur'ān or sunna." "Opinion" (ra’ī) here is the outcome of deduction and analogy applied toward legal judgment. ‘Umar ibn al-Khaṭṭāb [once reprimanded a scribe who concluded a legal brief with the words: "This is the opinion of God and ‘Umar." Seizing the document, he crossed them out and] wrote: "This is the opinion of 'Umar." And ‘Alī, peace be upon him, once said: "My opinion and the opinion of 'Umar is that [slave women who have borne children to their masters] must not be sold." Those who denigrate opinion are refuted by these statements, which uphold the validity of rulings based on rationale and report, when these have been tested against an opposing view.
      Ijtihād is said only for reasoning applied to legal matters. [...] The study of physics cannot be spoken of as a form of ijtihād in the way that ijtihād is applied to inheritance law. Nor is ijtihād applicable to calculations like how many five-dirham shares are in a hundred dirhams, where there is no difference of opinion. Qiyās, on the other hand, is applicable to a variety of intellectual pursuits. The difference between them is therefore clear.

Abū Hilāl al-‘Askarī, The Book of Lexical Distinctions

Some Palmette

From an Apulian pelike in the style of the Underworld Painter
(ca. 330-310 BCE), Metropolitan Museum of Art (06.1021.228).

Night and Day

A young man from the alpine community between Dīnawar and Nahāwand asked me to compose something reliable on the subject of Night and Day, and whether one might justly be preferred to the other. So I improvised this short text in order to gratify his wishes, and it begins with the speech of

THE PARTISAN OF NIGHT: When God, be He magnified and exalted, says: "We made the night and day to be two signs" (17:12), and opens Sūrat al-Layl with the words: "By the night when it covers up / And the day when it comes to light" (92:1-2), it is night that He mentions first, making day subsequent to it. And in any case [of their being mentioned together] the night takes precedence.
        ("Give precedence to Quraysh," said the Prophet, God's blessings and peace be upon him, "and do not seek precedence over them.")
        "Night He made for you to be at rest within it, and day to enable sight," says God (10:67), magnified be His adoration. And, blessed be His name, [He instructs His Prophet to] "Say: 'Do you see? Were God to give your night no end until the Day of Resurrection, what divinity could bring you brightness, other than God?' " (28:71). And this [sequence] is attested in abundance throughout the Qur'ān.

THE PARTISAN OF DAY: Mentioning something first dictates neither preference nor virtue. Do you not see that He also says, magnified be His adoration, that He "created death and life" (67:2), when the preferability of life is so well known? And, be He magnified and exalted, He also says that He "created jinn and humankind for no reason other than to serve Him" (51:56). And humankind is without doubt the preferred category.
        Along with this we find that day is in fact given precedence over night in Sūrat al-Shams, be He magnified and exalted: "By the day when it brings [the sun] to light / And the night when it covers up" (91:3-4).
        He also says, magnified be His adoration: "The likeness of the two parties [disbelievers and believers] is like the blind and the deaf and the sighted and the hearing" (11:24), on which interpretive consensus holds that the blind are contrasted to those with sight, and the deaf to those with hearing. What is preferable about coming first in this case? Nothing whatsoever.

THE PARTISAN OF NIGHT: But it is night's innate merit that gives it precedence. God, be He exalted, says: "Do disbelievers not see that the heavens and earth were [formerly] conjoined, and that We separated them?" (21:30). Now there is no disputing that this conjoined pair was in darkness. When He effected their separation, He brought about a new state of affairs. Darkness therefore precedes light, by nature and in order of creation; this being so, night comes before day.

THE PARTISAN OF DAY recited [line 8 of poem 16 by Ḥassān ibn Thābit]:
    "When [the caravan of Quraysh] makes for Ḥawrān
       across the sandy bottoms, tell them: The way lies not thither!"
By my life, the matter's not the way you think it is. Light came before darkness. "God is the Light of the heavens and earth" (24:35), says God, exalted be His every mention. This means that He illuminated both, with a light He Himself kindled, magnified be His adoration. So you've goofed in this. You base your judgments on the world that we inhabit. But He says, be He magnified and exalted: "It is He who made the sun to be a brightener and the moon to be a light" (10:5). And by these lights He shed brightness on what was conjoined. Only then did He divide brightness from darkness. And day is what is bright, as you must know.

THE PARTISAN OF NIGHT: It is well known that time consists in movements of the sphere in its rotation, and [is measured in] years and months and weeks. When does the new month come into being? Between the beginning of the night and the beginning of the day is when it is proclaimed. The month would begin at daybreak, if day were preferred. But no - its beginning is on the first night of the month.

THE PARTISAN OF DAY: This point is not in your favor but against you. Etc., etc., etc.

From Night and Day by Abu 'l-Ḥusayn Aḥmad ibn Fāris

Names of the Hyena

Al-Ḍabu‘ is the female; the male is called al-ḍib‘ān and al-dhaykh. Among its other names are:

Haḍājir   "Whose Gut Is Huge"
Jay’al      "The Female Hulk"
Ja‘āri       "Craps-a-Lot"
Qasāmi   "Divider-up [of Carcasses]"
Naqāthi  "Bone-Sucker," from its [habit of] extracting marrow from
     bones, as in the anonymous rajaz verse:

     Jā’at Naqāthi taḥmilu 'l-birdhawnā
    "Along came Bone-sucker, carrying [part of?] an old horse..."

al-‘Arfā’, for the length of its ‘urf [which is its mane]
al-‘Athwā’  "The Bearded Lady," for the denseness of its hair
al-‘Arjā’  "Whose Gait is Limping"
al-Khāmi‘a  "Whose Gait is Loping"
Umm Hinbir  "Mother of the Flesh-Tearer"
Umm Khannūr  "Mother of the Anus," also Umm Khunnūr

The hyena pup is called fur‘ul. The hyena's den is a wijār.

The offspring of hyena and the wolf is called al-Sim‘ "The Sharp-Eared" (?) and Abū Sabara "Father to the Wound-Prober." Dissenting opinion holds that the sim‘ is a cross between wolf and dog, and that the offspring of wolf and hyena is called al-‘Usbūr.

From The Rudiments of Lexicography by al-Khaṭīb al-Iskāfī

The voice of Misunderstanding (a comic prologue)

[In a wood of Corinth there lay exposed
a baby boy and girl, 'til an old woman
passing by came to their rescue.
Unable to care for both, she took the girl's
raising upon herself] most willingly,
and gave the boy to the mistress of this house,
who was a wealthy dame devoid of children.
That's how it all began. Then, some years later,
with ills of war and Corinth's troubles
mounting, the old woman fell destitute.
Her girl, nearly grown (just now you saw her),
had attracted an impassionate suitor.
To the care of this young man, of a family
of Corinth, she committed the girl,
as though she were the mother. Already advanced
in wasting away, and looking to life's katastrophē
as a nearby thing, she disconcealed unto the girl
her fortune: to have been a foundling, found
swaddled in this cloth - and at that, produced it
to her - and identified her unsuspected brother,
reasoning that in case of need
for mortal assistance, her only natural bond
was to him, and fearing lest some mishap
befall the two through me, [the goddess Agnoia, viz.]
Misunderstanding. A rich party-boy is
how she saw the brother, and none too steady
the army officer who was the pretty young thing's suitor.
With that, she died, and [sure enough,] the officer's
just bought the house next door. Neighbor now
to her brother, the girl's revealed nothing, hating
to mar his bright outlook on what Fortune
gave him to enjoy. But chance observation
soon showed her his impetuous nature,
as well as a habit of wandering round her house
with an intent. One night at dusk she was
sending her maid out for something, when he
happened to spy her at the gates, and hastened
up to her with hugs and kisses. Knowing him
for her brother she did not flee - but the snoop who came
upon them saw, and told of how he went off saying
he wanted to see her at greater leisure, and of her tears,
standing there wailing that she wasn't free
to act that way. The upshot's blazed up to
the present moment, stoking his rage
to such a height - 'twas I who stoked it
past his nature, in order that secrets start to
open up in what follows, and everyone's true family
be revealed. So if anybody find this in bad taste
or a source of scandal, save it.
Through a god do evils turn out good.
To you who favor us with spectatorship
I bid farewell. Let what follows not be lost on you.

Menander, The Girl With Close-Cropped Hair 117-171

Al-Zahiriyya Library, Damascus (undated)

Madmen who were poets 6

The poet Abu 'l-Bakhtarī said: The tales I used to hear of Abū Fahma, a madman of Baghdad with a gift for poetic improvisation, led me to seek him out. Our meeting came about in a lane of the city, where I said to him, "How are you today, Abū Fahma?" He replied in verse:

   I have reached the edge of my precipice. Through you
      the way lies open to the wellsprings of my ruin.
   I see you turning, but not toward me.
      Whose heart is least corrupt you least attend.
   O you whose estrangement prolongs my pining:
      may you be struck with pining worse than mine!

Abu 'l-Bakhtarī said: At this, I withdrew a bouquet of narcissus from my sleeve, and pressed it on him with my wishes that God prolong his life. He stood smelling them for a time, then delivered these verses:

   On my wedding day, there came from the South hard-spattering,
      black and brilliant [clouds] wreathed with rain.
   Then kicked in the East Wind with its fecundating showers,
      and the curtailment of our nuptials was hard to bear.
   Our babe was born still. Labor pains came on,
      and there was parturition, and that was the issue.
   Springtime wove a shroud, and as one hand
      the dew and breeze gave color to its fabric.
   It was this flower's composite yellow, white petals
      cupping ornaments of unsmithed gold 
   on emerald columns raised aloft with the morning,
      like unto the sun in eye-like splendor.

Al-Hasan ibn Hāni' [better known as Abū Nuwās] said: I paid a call on Mānī al-Muwaswas, who delivered these verses:

   A live man's poem is uttered to you by a dead man.
      Stuck between death and life, he stands [right here].
   Vicissitudes have whittled his frame, and at his end
      he stays in hiding from the rest of creation.
   To look me over, inspecting my persona,
      is to find not one iota of my former charm.

I then went on [continued Abū Nuwās] until I met Ju'ayfirān al-Muwaswas, an elder of the Banū Hāshim with a speech impediment. Around his neck he wore a golden collar with a silver chain. He asked me, "Where did you crawl out of, Hasan?" "Mānī's house," I answered. "Here's one for Mānī's mother," he said and, calling for pen and paper, told me to write this down:

   Under cover of the night, the rooster makes no sound
      - except on nights I strive along the pathway to your door.
   Not every eyeful leads the peeper to delight! 
      At night, the joys of bed-rest are what's best,
   - except on nights I mount the dark,
      desiring you. Braving a pair of linked shackles,
   I am playing with my life when I come to you. 'Sweet Hope!'
      I am calling out, amid the night's black suit,
   to the stoker of the flames licking [this] wretch's heart,
      taking no care for his welfare nor his reputation.
   For treachery and fickleness your nature is unsurpassed
      by all the djinn and mortal men living put together now.

With that [continued Abū Nuwās], he told me to tear up what I had from Mānī, which I did.
      I went on until I encountered ‘Adrad the Afflicted. Ringed by a crowd of boys, he was slapping his face and weeping as he wailed aloud, "O people! Bitter is the taste of separation!" So I asked him, "Abū Muhammad [which was ‘Adrad's byname], where are you coming from?" "Seeing off the pilgrims bound for Mecca," he said. "What makes it so hard to bear?" I asked. "Some of my kinsmen travel with them," he said. "Did you deliver a poem on the occasion?" I asked. He responded that he had done so, and recited:

   They departed Thursday morning, and I bid them farewell
      when, taking up their burdens, they took their leave.
   As they turned to go, my soul turned with them.
     'Come back!' I said. 'Come back to where?' said she.
   To a rattling skeleton empty of blood,
     and bare of flesh but for a pair of eyes
   washed by grief, and the shell of an ear
     defiant in its deafness to all blame."

Continued from The Necklace Without Peer of Ibn ‘Abd Rabbih

For the conclusion to Madmen Who Were Poets, see the (St. Mark's) Poetry Project Newsletter no. 250 (Feb/March 2017), 8-12, where the whole of Ibn Abd Rabbihi's chapter appears with an introduction by the translator. Many thanks to Betsy Fagin

News of the pillar-priesthood of old Syria

The temple occupies a hill at the very center of Bambyce. Two walls run round it, one of them ancient and the other one dating to a little before our time. The temple's gateway is placed so as to admit the northern breeze and measures 100 fathoms [~182 meters]. Within these gates stand the pillars [Gk. phalloi] erected by Dionysus, rising to 300 fathoms [a fabulous height which some editors emend to 30 fathoms without troubling over the no-less-fabulous 100-fathom gate]. Twice a year, a man ascends to the top of one of these pillars and dwells there for seven days. The cause for his so doing is variously explained. Majority opinion has it that he converses with the gods on high, asking for blessings on behalf of all of Syria, and that the gods attend his prayers from up close. Others take it for a commemoration of the disaster that struck in Deucalion's day, when the flood sent people fleeing to the mountains and the tree-tops. I find this explanation unbelievable. I think these rites are performed in adoration of Dionysus, and I explain them thus: When they parade the phalloi in honor of Dionysus, they seat wooden figurines on them. The reason for this custom I will not mention - but I will give my opinion that the man who mounts the pillar does so in emulation of those little wooden men.

His method of ascent is this. Looping a cord around himself and the pillar snugly, he goes up it, following a path of wooden toe-holds. As he climbs, he cinches the cord higher, flipping it upward like a pair of reins. (Those who have seen palm trunks scaled in Arabia, Egypt or anywhere else will be able to picture what I'm talking about.) On completing his ascent, he lets down a second, longer cord that he has with him, in order to haul up whatever he pleases in the way of lumber, blankets and other gear, out of which he fashions a nest-like hut in which to sit out the above-mentioned duration. When devotees visit, they cast coins of gold, silver, and sometimes coppers into a container, saying their names as they do so. A man stationed at the pillar's bottom announces them to the man at its top, who says a prayer on behalf of each person named, amplifying his prayer with a brass noise-maker that he rattles loudly.

The man atop the pillar is barred from sleep. If sleep overtakes him, a scorpion climbs up and rouses him with a nasty sting - or so it is said in pious legends of the cult, for whose strict truth I shall not vouch. To me, the fear of falling would seem to suffice as a sleep deterrent. And with that I conclude my account of the pillar-climbers.

Lucian, On the Syrian goddess 28-29.

Madmen who were poets 5

Abu 'l-‘Abbās [al-Mubarrad] attributes these verses to al-Mānī al-Muwaswas:

   The cheeks on him are white and red:
      red in their middles and white at the rim.
   Thin but dewy, like a cup's glass walls
      streaked by swirling wine within.

Al-Mubarrad also said: Once, I got caught in a rainstorm, which quickly abated, and along came Mānī al-Muwaswas, saying:

   Don't mistake for real rain
      the rain that fell just now.
   A single tear from my eye
      flows more copiously, when
   assailed by the gloom
      of my worried thoughts.
   This is what it's like to watch
      the change of heart inside a friend's bosom.

Mānī al-Muwaswas went up to Abū Dulaf [al-'Ijlī] and said:

   The look in your eye 'mid the enemy host
      saves you the trouble of taking out swords.

"By God!" said Abū Dulaf, "no poet has ever praised me so well," and ordered ten thousand dirhams be given to him. But Mānī declined to take them. "It's all the same to me as half a dirham's worth of harisa," he said.

Also by Mānī al-Muwaswas:

   Grazing on hearts, some gazelles are intent
      on necklaces. But in my heart there is just grass.
   My life is forfeit to gazelles. Instead of antlers
      they are rubied and empearled with bangles of gold.
   O beauty who stole mine eye unwittingly,
      seldom though the stolen glance unwitting be!
   The beauty of her eyes elicited my heart from me,
      and I gave it over, little heeding its worth.
   If they do not look my way, the attraction's finished.
      What good are eyes to me if she declines?
   A thief and his hand are soon separated,
      but hearts are for stealing at no such penalty.

‘Alī ibn al-Jahm rode up on a man in the grip of a brain-fever who was encircled by a hostile crowd. On spotting him, the man took hold of his horse's bridle and said:

   Do not join the company of
      wastrels before me. I swear by the prerogative
   of the One Who aggrieves my life with them,
      and the One Whose forgiveness I beg for them:
   compared to the fallen of their own number,
      these are fallen further still.

His rolling gaze then fixed on a shapely boy with a handsome face, and he rent his tunic, saying:

  "And this one, their most nobly favored,
      now treats me with surpassing baseness!

From The Necklace Without Peer of Ibn 'Abd Rabbih (continued)

The dawn of fabric

Whatever myth of origins you believe, the world's first man was surely naked and unclothed when his Potter threw him, before his untimely and unlicensed grab at [the fruit of the Tree of] Knowledge. But enough of esoteric lore. Let's have one of yours instead - the Egyptian tale set down by Alexander for his mother to read about the age of Osiris, back when Ammon, rich in sheep, came out of Libya. It was in their company, the Egyptians declare, that Mercury chanced to brush his hand over a ram, and was so pleased by its softness that he separated a sheep from its fleece. The material's pliancy moved him to keep working it, and at his continued pinching a thread streamed forth. This he wove using a technique he had practiced on strips of linden-bark. Meanwhile, you give credit to Minerva for all wool-craft and construction of looms, even though the work at Arachne's shop was better done.

Tertullian, On the philosopher's cloak III.4-5

Madmen who were poets 4

The grammarian Muhammad ibn Yazīd al-Mubarrad said: En route to Wāsit from Baghdad, we took a detour to the Monastery of Ezekiel [at al-Nu'māniyya] to see the madmen there. Their madnesses were all of kinds known to us, or so we thought until we spied a well-kept youth in laundered clothes sitting apart from the others. "If any," we said, "then this one." So we approached him with a pious greeting, which he did not return. "What's the matter with you?" we asked him. He said:

   God knows how sad I am.
      To none other can it be described.
   My soul is two, one in this land
      while another land keeps the other.
   The one stuck here can endure no more.
      The hide around it is about to give out.
   I believe the other soul to be in the same state.
      By my troth, hers is the present soul's matter.

"Well done, by God!" I said to him. At this, he flailed as if throwing something at us, saying, "Who says 'Well done' to the likes of me?"
      Al-Mubarrad said: We were making haste to get away from him, when the young man said, "Come back, by God, I beseech you, until I recite for you another poem. Then you can say whether it's well or poorly done." So we went back to him and said, "Recite." He began:

   Just before dawn, when the palomino camels were knelt
      for their saddles and a shapely cargo to trudge away with,
   when, face to face through a gap in the curtain [of her howdah]
      she looked out at me through eyes engorged with tears,
   at the wave of her hand [henna-stanched] like a bough of ‘anam,
      I called out to the camel, 'Let your hind legs not bear [her] away!'
   I wail for the split that undid what she and I had,
      the split that came down, that undoing split when they moved off.
   Palomino driver! Stay their steps, that we may lengthen our farewell.
      Palomino driver! Your haste speeds my ending.
   Never to renounce my desire to be with them, for the rest of my life,
      I wish I knew: what did they with the rest of theirs?

We said to him, "They must have died." At this, he cried out, "Then I, by God, die also!" and fell to all fours, stretched out and died. And we did not leave the place until we had seen to his burial.

[A shorter variant of the same report.]  Al-Mubarrad said: On entering the Monastery of Ezekiel, we were met by a madman with a rock in his hand. "O assembly of my brethren, harken unto me!" he said as the people scattered. Then he began to recite:

   Many's the soul of an eminent man
      reduced to moaning without remit,
   who wheels to face the host in battle
      but shrinks from single combat.

From The Necklace Without Peer of Ibn ‘Abd Rabbihi (continued)

Recounted also in the Thousand and One Nights, the Meadows of Gold of al-Mas‘ūdī, the Letting People Know of al-Itlīdī, et alibi.

Madmen who were poets 3

Abu 'l-Wāsi‘ [a companion of the poet Abū ‘Īsā Sālih al-Rashīd] was in the company of his sons when a poet of the madmen called and asked permission to perform an ode. Abu 'l-Wāsi‘ declined, but the poet importuned until his resistance fell. After the final verse:

       Irrefutable man, on this day you are their head,
          and around you the cream of your eminent sons!

Abu 'l-Wāsi‘ said to him: "If you would only leave us en masse" (lit. "head by head").
      It is said that a mad poet of the Bedouin visited Nasr ibn Sayyār and declaimed a poem composed of one hundred amatory verses and only two lines of praise. "By God," said Nasr to him, "the words of your poem are as graceless as their meaning. All your effort was spent on amatory prelude, with nothing left over for panegyric!" The poet said, "I can fix that." So he came back the next morning with a poem that began:

       Can you make out the house of Umm al-Ghamr?
         —Leave that! and let's have a poem in praise of Nasr.

"Neither one of these [is any good]," said Nasr.
      One of the scholars said: "For sheer hermeneutic depravity, the only thing I have heard to rival the Rāfida was something a madman of Mecca said about a poem [by al-Farazdaq]. This man said, 'The Banū Tamīm are the biggest liars I have ever heard. In the poem:

      [He Who hung the sky has built for us
          a house whose columns soar above all others.
       The house the Sovereign built is ours, and what
          Heaven's Arbitrator builds cannot be shaken.]
       The house in whose courtyard Zurāra sits arrayed,
          and Mujāshi‘ and Nahshal, father to horsemen...

The Banū Tamīm claim these names belong to their own!' " [As is the case, Mujāshi‘ and Nahshal being direct ancestors of the poet himself.]
      The scholar said: "I asked him, 'In your view, what do they mean?' He said, 'The "house" is the house of God, and Zurāra is the stone that is "buttoned" [zurrirat] around it. Mujāshi‘ is the well of Zamzam, whose water is "coveted" [jushi‘at], and "Father to Horsemen" is the mountain of Abū Qubays in Mecca.' I said to him, 'And Nahshal?' For a whole hour he thought it over, then said, 'It is the tall black lampstand of the Ka‘ba. That is what Nahshal is.' "

From The Necklace Without Peer of Ibn ‘Abd Rabbih (continued)